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'''J:''' '''I have one correction this week.''' This was sent in by a listener named Daryl Goosen. And Daryl sent in a guess for this week’s Noisy, but then he said, "P.S. My 12-year-old son wants to point out that the Nintendo sound played on [[SGU Episode 821#wtn|Episode #821]] and answered on [[SGU Episode 822#wtn|'''822''']] was ''not'' the [https://www.youtube.com/watch?v=5-E_0uhPzaE Wii home theme], but the [https://www.youtube.com/watch?v=E9s1ltPGQOo Mii maker theme song].
'''J:''' '''I have one correction this week.''' This was sent in by a listener named Daryl Goosen. And Daryl sent in a guess for this week’s Noisy, but then he said, "P.S. My 12-year-old son wants to point out that the Nintendo sound played on [[SGU Episode 821#wtn|Episode #821]] and answered on [[SGU Episode 822#previousWTN|'''822''']] was ''not'' the [https://www.youtube.com/watch?v=5-E_0uhPzaE Wii home theme], but the [https://www.youtube.com/watch?v=E9s1ltPGQOo Mii maker theme song].


'''E:''' Oh!
'''E:''' Oh!

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SGU Episode 829
May 29th 2021
Atomic Level Microscope.jpg
(brief caption for the episode icon)

SGU 828                      SGU 830

Skeptical Rogues
S: Steven Novella

B: Bob Novella

C: Cara Santa Maria

J: Jay Novella

E: Evan Bernstein

Guest

MW: Mick West

Quote of the Week

A very good theory will be one that makes very wide-ranging claims about the world, and which is consequently highly falsifiable, and is one that resists falsification whenever it is put to the test.

Alan Chalmers, British-Australian philosopher of science

Links
Download Podcast
Show Notes
Forum Discussion

Introduction

Voiceover: You're listening to the Skeptics' Guide to the Universe, your escape to reality.

COVID-19 Update ()

News Items

S:

B:

C:

J:

E:

(laughs) (laughter) (applause) [inaudible]

Non-Replicated Studies More Cited ()

Maximum Human Lifespan ()

Graphene Concrete ()

Atomic Level Microscope ()

Brain Game Pseudoscience ()

Who's That Noisy? (52:38)

S: Jay, it’s "Who’s That Noisy?" time.

J: All right guys. Last week I played this noisy. [voices in background then a long resonating clang]

And here it is slowed down. [much slower sound of the long clang, much deeper in slo-mo]

So what do you guys think that is?

E: It sounds like something being impacted—in other words, one thing hitting another thing, but I don't know exactly what it is.

J: Anybody else?

C: (imitating noisy) Boy-ya-yah-yoing.

J, E, C: (laughing)

E: That’s very technical, Cara.

C: Thank you. (Evan laughs)

J: I have one correction this week. This was sent in by a listener named Daryl Goosen. And Daryl sent in a guess for this week’s Noisy, but then he said, "P.S. My 12-year-old son wants to point out that the Nintendo sound played on Episode #821 and answered on 822 was not the Wii home theme, but the Mii maker theme song.

E: Oh!

C: Mmm. It’s when you make your little person to look like you.

E: Huh!

J: So if anybody disagrees or wants to confirm that, email me at WTN@theskepticsguide.org, but either way, I think it’s cool that a 12-year-old is listening and that they made a correction on a science and critical thinking podcast. So thanks for that! Don't be hesitating to send in more corrections,

anybody out there, because we like it.

A listener named Jason Brown wrote in and send, "Hey, my first Whose That Noisy guess, because I got this. It’s a medieval blacksmith forging a broadsword." That is really cool. That is not correct, but Steve appreciates that entry—

S: —I do.

J: —because Steve loves swordmaking. I know. I know my brother.

C&E: (laughs)

J: Next guess—

S: —What kind of steel was it, though? Was it 1095? Was it spring steel? Have to get more specific.

J: —You got 210, 220.

B: (laughs) Jay!

J: This next one was sent in by Visto Tutti. (pausing) Who is this guy? Is he even one person, or is he multiple people? Nobody knows. He guessed, "I hear a man give a command twice. Sounds like "Urup-sae", which I cannot translate, then a percussive strike on a metallic object of some mass. Wild guess: testing bridge strength from the sound they make," which I thought was provocative. I don’t know how they would be making the bridge make sound, but I don’t know—

C: —Are you provoked?

J: I am provoked.

E: Provcative.

J: That is not correct. I will move on. We have a listener named Shane Hillyer, and he says, "Hey Jay. I love the show and I’ve listened since '09ish, I think. This felt like some kind of ceremony where some dude shoots at a bell." (Laughs)

C: (laughs) I love that!

J: I love that one too! Yep!

E: There you go.

J: No, nobody is shooting at a bell but, man, now I need to hear that. I’m sure it’s on the internet. I’ll have to go look for that.

We have a winner. It’s not that, that common that the very first email sent about a particular round of Whose That Noisy is the correct one, but this happened this week. We have a listener this week. The listener’s name is John Erickson, and John wrote in, "Salutations Jay and crew. Love the channel. Been listening for years." Yadda yadda yadda. "Who’s That Noisy from Episode 828 is an anvil being sent into the air by an explosion in a steel box with a small opening at the top that the anvil was placed over. The video is from the YouTube channel Beyond the press by Lauri and Anni"—Whoa! I can’t pronounce that last name.—"Vuohensilta from Finland." Wow. That’s a cool name.

Anyway, very cool noise. I love listening to it slow as well because you get to really hear some of the details that are in there. So do listen to it again on your own if you have a chance. That was an awesome guess! Thank you, John. I thought it was a really cool sound and, visually, it’s very cool. You can take a look at that. It’s on the web.

New Noisy (56:29)

J: I have a new Noisy this week, and this Noisy was sent in by a listener named Vanessa Landsteit [sp?], and here it is.

[airy synthesizer music over hissing background with simple bass string notes and light cymbal tapping, then country music style lyrics starting with "Riders on the storm" and followed by guitar notes]

Sounds familiar, huh?

E: Yes, I’ve heard that song before.

B: Little bit.

J: Or have you though? Have you heard that song before?

B: Las Puertas.

E: Oooh! Maybe that wasn’t Jim Morrison and the Doors?

J: So tell me what you just heard. That’s what I want to know. You can email me at WTN@theskepticsguide.org.

S: All right. Thanks, Jay.

Interview with Mick West (57:32)

  • Mick West is a British-American science writer, skeptical investigator, and retired video game programmer.

S: All right, guys. Let’s go on with our interview.

(Music plays)

We are joined now by Mick West. Mick, welcome to the Skeptics’ Guide.

MW: I’m very glad to be here.

S: So Mick, you are the founder of metabunk.org, which is a website, a forum all about debunking conspiracies theories, and the author of the book, Escaping the Rabbit Hole: How to Debunk Conspiracy Theories Using Facts, Logic, and Respect. But we’re talking to you tonight because you’re also the author of a number of videos analyzing this recent spate of Pentagon videos showing what they are calling "UAPs," or Unidentified Aerial Phenomena. And as we were just chatting about before, before we started recording, you’re the man of the hour, now, right? Everyone wants to talk to you and explain—which is good because a lot of the programs I’m watching are not interviewing any skeptics. They’re just gullibly saying, "Ooh! Look at this! Aliens."

So tell us about your involvement with the UAP videos.

MW: Sure. Well it kind of started about four years ago now, I’d say. I used to be kind of a general purpose debunker, and I would do chemtrails a lot, and then I’d do stuff like 9/11 conspiracies. And I’ve done election fraud conspiracies. And I was never really that into the UFO thing. But about 4 years ago, this video came out from Chile, from the Chilean Navy, and they basically presented this video as being a UFO. And I was one of the guys who kind of looked into it, and it actually was a crossover thing because it had these trails coming out of the back, which I recognized as being contrails, and being a contrail expert from my chemtrail work, I kind of leapt onto that and really got into it. And I found I really enjoyed analyzing UFO videos. And then, shortly after that, we had these three videos coming out from the US Navy, and I started getting my teeth into those and figuring out what was going on there.

S: So what kind of analysis did you do of these videos?

MW: Well, essentially, it’s—I used to be a video game programmer. And when you do video games, you’re taking a model of the 3D world—you’ve got the 3D coordinates—and then you’re transforming them into screen coordinates, into 2D coordinates. And when you’re analyzing a video of a UFO or a plane or something like that, you’re kind of doing the same thing, but in reverse. You are taking the 2D coordinates on screen—the 2D image, and the way that image changes over time—and you’re trying to kind of figure out the reverse transform to figure out what the actual, real-world model is that’s actually happening. So you’re looking at something like a dot that’s way in the distance. You don’t know if it’s small or far away so you’ve got to be able to—trying to figure out which one of those fits the available facts best.

So it ties in a lot with my video game programming. I think it also ties in with something I was really good at in video games, which was debugging. Of course, my code had lots of bugs, and all code has lots of bugs. And when you are debugging a video game, especially back when I was making them—back in the PlayStation days when they came on CDs, you couldn’t actually change them after they had shipped. So once you eventually started selling the game there was no way of changing it. It’s like when you get a book: you can’t change your typos once it’s in the hardback. And so you have to get really, really good at getting to the root cause of things. And so I was doing this essential root cause analysis on exactly what’s going on. You’re just going to get your teeth into it, and you can’t let go until you figure it out.

S: And there’s a lot of information on these videos, because they’re often cockpit cameras, etc., so there’s a lot of technical meta-data that you can get from the video—it’s not just a picture of the blob in the distance. There’s some details there.

MW: Yeah. And the more data you have, the better, obviously. The ideal thing to have is the location of the camera, the direction it’s pointing in, and the field of view, but sometimes you don’t have those things. But in these videos, we have the heading of the camera relative to the plane. We have the angle that the camera is pointing at, like up or down. In one of the videos we have a range, which is the distance to the object itself, the straight-line distance.

B: How is that determined? 'Cause to me, that’s one of the most critical bits of information. How far away is it? Is it small and close, and therefore moving slowly, or is it big and far away, and therefore moving amazingly fast, beyond physics fast? Is it very common to have distance data? I don’t think it’s very common.

MW: Yeah. Only one of the videos actually has a range number, and that’s actually determined by radar. There’s two basic ways: there’s radar, or there’s laser range finding. And either one is just going to give you a number on the screen. But they’re using radar to track down one—and in the other videos, we don’t actually have the range data, so it makes it a lot more challenging. You have to kind of try to use that as a variable and see which version of that distance works best. And you end up with, say, different sized planes, if you’re thinking it’s a plane. It could be a small jet, or it could be like a 747. And then you have to take other things into account as well as that.


So, yeah, you look at all these data on the screen. You look at the image itself, and you try to recreate what actually fits best. It’s quite complicated. It’s surprisingly complicated sometimes. When I explain it, I break it down into a very, very simple way. I often have to leave out a huge amount of the analysis that I've done just because I don’t have time to discuss it.

S: So, pick one of the videos and just give us a quickie, like the quick version of what did you find. What was your analysis? And how did that lead you to your conclusion?

MW: Well, let’s take the "go-fast" video. It’s kind of like the simplest one to talk about. At the start of the "go-fast" video, you see what looks like a very, very fast-moving object. It’s a little white dot, and it looks like it’s moving really, really fast over the surface of the ocean. And then the camera locks onto this object, and it starts tracking it, and it looks like it’s tracking it really, really fast. And it actually looks like it’s going something around like 300 or 400 knots, two-thirds the speed of sound. So it’s really, really fast.

But then you start to look at the other things besides the simple image itself. You look at the numbers on the screen, and you’ve got the two important ones. I mentioned the range. Once it acquires the target, it actually gets a radar range. And then you’ve also got the heading angle relative to the plane, and you’ve got the slant angle, which is the angle downward. And if you know what your altitude is, which is also on screen—25,000 feet—and you know what angle you’re pointing down, you know how far away something is, that distance becomes the hypotenuse of a right-angle triangle. And the angle is just the angle down. So the opposite leg of that triangle, which is the vertical height below where you are, is the sine of the angle multiplied by that range. So it’s just multiplying two numbers together, and it tells you what the altitude of that other object is, relative to you. Then you subtract them, and it turns out it’s not actually down by the ocean. It turns out it’s actually quite high up. It’s actually halfway between you and the ocean, almost exactly halfway.

B: Oh great.

S: And you can estimate its actual relative speed with the same method. And it’s, like, not going that fast.

MW: A similar method, yeah. What I had done was I did a graphical way of solving that because it’s kind of a tricky thing to do, analytically, because it’s difficult to convey what you’re actually doing. So I did, essentially, a vector diagram using the angle and range at the start and the angle and range at the end, which is the angle from the front of the plane. And then the bank angle of the plane—I used that and calculated from the bank angle of the plane how fast the plane should be turning left or right and then created a vector diagram, which told you where the target was at the start and then where the target was at the end. And then the distance between those two points is the velocity when you divide by time.

Mathematically, that would have been very complicated to describe with an equation, but it actually turns out to be fairly simple to do graphically. And it’s much more accessible to people.

S: Right. And so the end result of all of that was what?

MW: The end result of that was that the object was moving at about 40 knots plus or minus 20 knots, which, essentially, is about the same as wind speed at that altitude. And so now you know you’ve got something that’s moving at wind speed, and you know from the infrared camera that it’s cold, because it appears as a white dot and the camera’s in black hot mode, so anything that’s hot would appear black. So you think, what’s—

B: —drifting in the wind.

MW: —what is cold? What’s drifting in wind? What could it possible be? It’s—

S: —A balloon.

MW: The most likely thing? It’s a balloon, and not just that, a weather balloon, because you get a very good, solid radar lock. And weather balloons carry this little radar reflector so planes don’t bump into them. So everything fits, and everything kind of lined up. And so I just kind of published this result, and UFO people started shouting at me.

E: (laughs)

S: As far as I can see, no one’s been able to do any kind of real response to that. No one has any valid criticism of your methods.

MW: Yeah, that’s true. And I think part of the problem here is that the people who are releasing these videos really aren’t doing any analysis on them. And they’re just kind of saying, "Hey! Look. It looks like it’s moving really fast." And then they stick it out there, and they do some kind of naive calculations kind of assuming that it is moving really fast and it is down by the surface of the ocean. But they don’t actually get in and do the nitty-gritty details, and so they kind of come up with almost like the answer that they’re looking for, rather than the actual answer.

B: Oh sure!

S: Oh, imagine!

B: And is the military—do they have any analysts doing what you’re doing here? I mean—

MW: —Yeah. I’m sure they do. The problem is that the military don’t want to talk about this, partly because this is a classified system that these are recorded on. It’s called the Raytheon ATFLIR system. And it’s a fairly advanced targeting pod that straps on underneath the planes. And if you look for example videos shot with this on YouTube, you will find, basically, nothing—like a few really grainy ones, because even though I’m sure there’s tens of thousands of hours that have been shot with it, it’s all classified. So they don’t want to talk about it. And if they do analysis of it, that becomes classified by default. So they’re not going to release it. And they’ve actually explicitly said that they do not plan to release the results of the investigation into these videos.

B: Yeah, but couldn’t they release information, analysis similar to what you have released? I mean, you’re not breaking any national security laws by what you’re saying. Can’t they do something similar that’s not comprising national security?

MW: They could. They could. But technically the results of an investigation that include classified materials get the same classification level as that classified material unless separately declassified. So they would have to jump through a bunch of hoops—

B: —Ugh! Why bother.

MW: —to even just release—

B: —Right? Why bother?

MW: —Yeah. But I—

C: —Yeah, instead let’s just make sure the entire population is up in arms and stressed out. I mean, that’s the frustrating part. It’s like, can we just calm people down?

B: Right. And they’re not thinking that, "Oh, look. These are aliens." 'Cause kind of like, whatever, yeah, they’re aliens. But a lot of people are thinking, "Well it’s either aliens, or it’s some other country that had this hyper-advanced technology, and we need to be on alert and do—" That’s where it gets, actually—it could have some serious ramifications.

E: And the Department of Defense is going to be issuing a report to the United States Senate next month in regards to this video and others about this phenomenon. What are we to make of that in the sense that—how is that report going to be made to the Senate without the general public knowing exactly what is going on here and what has been analyzed?

MW: Yeah. The report really isn’t about these videos. It’s kind of a general report about the UAP investigations within the military. So it’s basically a ground overview of everything the military is doing to study UAPs. So, in theory, it could include all the other videos that are supposedly out there in every single report that’s ever been giving by a Navy airman. So it’s not trying to clear these particular videos up. It’s trying to get some kind of overview of what’s actually going on with UAP investigations, which is a very strange and twisted tale, what’s actually going on with these UAPs. There’s a great article by Jason Colavito that came out a few days ago that kind of examines the history of the people involved in this and why we’ve got a UFO-studying program within the military in the first place.[6] And it kind of boils down, essentially, that there are people who are UFO fans and, to a certain degree, paranormal fans and who have got a little bit of a toehold in the government.

C: Mm.

E: Mmhmm. Yes.

B: Shocker.

S: Does that explain why, when, even though they can’t release a detailed analysis of classified information, when they go on—like this week on the news shows, somebody from the Pentagon or in the military who’s familiar with the program—they make all these coy statements like, "We don’t know what it is," and "It’s very interesting," and whatever. Why couldn’t they just say, "Yeah, we can’t go into the details because it’s classified, but we’ve analyzed this and there’s no reason to think these are anything other than mundane objects." But they don’t make statements like that; they’re perpetuating the mystery.

MW: The people you’re seeing on these shows are not actually from the Pentagon. They’re people who have retired or left the Pentagon, like former people. The main guy is Luis Elizondo, who ran this program—

B: —Oh, god! Yeah, we know him.

MW: —some time ago. And he—

C: Mmhmm. So they have their own agenda. If these people were actually actively working here, they wouldn’t be able to go on these shows.

MW: Yeah. The Pentagon has said nothing. They haven’t said anything at all about this, other than that these videos were taking and that a UAP task force exists. So if you’re looking for an official statement, there’s basically nothing out there. You’ve got a few politicians saying things, like Marco Rubio—

B: —Yeah, right!

MW: —We don’t know what his motivation is. It could just be like he sees it as a popular thing to talk about, and he’s talking about. Or maybe he’s been convinced by something he’s seen behind the scenes. He’s the ranking minority member of the House Committee on Intelligence. But yeah, there’s not a lot—there’s nothing coming out of the Pentagon. But yet you hear these stories like "Pentagon Admits UFOs Are Real." And they haven’t.

C: Do you guys remember when we visited the CIA, one of the things that we talked about when we were in that room discussing sci-comm and different approaches was the frustration that these CIA officers feel, being like "It’s really hard to calm the general public when we’re not allowed to disclose anything."

S: Mmhmm.

C: "Like when something is classified, so we can’t tell them anything because it’s classified, when all we really want to do is say 'Don’t worry,' how do we get them to trust us if we can’t give them any evidence for why they shouldn’t worry?" And it sounds like that’s sort of the unfortunate position that the Pentagon’s in right now.

MW: Yeah, I would agree with that. And you can kind of almost feel that when you talk to these spokespeople. They just give these boilerplate answers, but you can kind of tell there’s—they know more about what’s actually going on. And they’d probably would like to clear things up. But because you’ve got this huge bureaucracy and this huge system of classification by default, they just can’t get past it.

S: But if you remember—I don’t know that this is going on now, but just for completeness, in the 1990s, the Air Force essentially admitted that they allowed—

B: —Yup.

S: —UFO reports to simmer and to—

B: —It’s cover.

S: —and they deliberately didn’t debunk them. Yeah, because it was cover, because a lot of the sightings were of secret military craft that were being researched.

C: Yeah…

S: So they don’t—if the public is being distracted by all this alien talk, that’s a good thing in their book; at least, they admitted that in the 1990s. Again, I don’t know if that’s still their policy, but—

E: Oh my gosh! They’ve been doing it since Project Mogul in 1947.

S: Exactly.

E: That was the original case of it.

C: Yeah. It definitely almost feels like a Cold War-era kind of, you know, utilization. Like, I guess it would still be relevant now, but, for sure, I buy it in the 90s, or post-90s.

S: So I don’t know if it’s relevant now, but we don’t know that they really want to clear it up. They may not really care.

C: (laughs)

MW: Yeah, it’s like, what is their motivation right now? What does the military get out of clearing it up?

S: Right.

MW: Right now, they don’t really have any.

S: Yeah, it’s a lose-lose for them.

E: Yeah.

MW: Yeah, so they just let it lie.

C: (chuckling) I just feel like trust in our government agencies is at an all-time low. Just public trust in reason and evidence and authority is at an all-time low. You would think, you would think!, that might be motivation.

S: Yeah. But if they did, if they did come out and say, "These were nothing," (raising eyebrows) would that increase trust in the Pentagon?

MW: Yeah.

S: I don’t know that it would

C: True!

MW: There's the rub.

E: Couldn’t they cite just one example and give us the evidence for one case? Say, "For example, here’s this case. Here’s the evidence. And here’s why it’s not what it’s being claimed it is." Just present that and say, "Okay, we’re being totally honest with you." Just one, one time. One example.

S: It would be nice.

E: That might go a long way.

J: Mick, how many videos did you look at?

MW: I’ve looked at lots of videos, but there’s five videos from the Navy. There’s those three that you mentioned earlier—the three black and white ones—and then there’s another one called "The Green Pyramid" video. And then there’s the "Omaha Sphere" video. And this "Green Pyramid" video is particularly interesting. It’s this flashing green pyramid that, again, you kind of analyze it and—My analysis there was, essentially, looking at it and seeing, "Oh, I recognize that! It looks the flashing lights of a plane. And, then, why is it triangular? Well it’s out of focus and they’re filming it with a camera that has a triangular aperture and [inaudible] triangular boca."

B: [inaudible]

S: Now, Mick, I know we don’t have access to these, but do you have any opinions about—because the other thing that people bring up is, "What about the radar?" So, yeah, the pilots are seeing these blobs in the distance, but they’re also being spotted on radar and infrared, "so that can’t be a balloon or a bird!" What do you make of that?

MW: Well, there’s that guy who says he saw them every day for two years. But if the Navy actually saw something flying in restricted airspace for two years, you think they would have figured it out by now. You think they would have figured it out within a week because it’s a serious issue if something is identified flying in the airspace. But when he talks about it, when he says "seeing," what he’s really talking about is seeing it on the radar. And then talks about how they would fly up to it, and they would look for it, and he was saying when he got there—he got to this thing called "merge plot," where they look like they’re in the same position—they wouldn’t see anything. And so there was nothing there—

B: —It’s cloaked! It’s cloaked!

MW: —And so they didn’t know what it was. And there’s other things. They’ve released photographs of things, and they look like balloons. They look like party balloons and things like that. It’s just stuff floating around in the air. They’re on the east coast somewhere where it’s quite densely populated, and things go up in the air and fly around. And sometimes things will show up on the infrared as well. But if something was really there, they would be able to intercept it, and they haven’t. They just have these reports of things without anything actually coming up.

S: Yeah, that’s what I keep pointing out. It’s like, remember: we’re still looking at blobs and blips and lights. No one is coming up on a craft, on something that’s demonstrably, unambiguously a flying craft or alien—

E:District 9-level of detail.

C: Yeah.

S: —Yeah. It’s just we’re still looking at blobs. And the reason that we’re looking at blobs is because anything that’s not a blob is something mundane.

MW: Exactly. It’s like everything stays at exactly the right distance for whatever camera you have to be just being on these resolving capabilities. I call it the "low information" zone that UFOs like to live in, which depends on the circumstances, like the lighting circumstances and what camera you have and other factors like that. They always just stay just a little bit too far away…

B: Yeah, imagine we finally see an alien craft and it is, by its very nature, blurry and indistinct!

(Rogues Laugh)

B: It’s like "Blobsquatch!"

E: Smart.

J: I think Bigfoot is blurry, and that’s crazy.

MW: That’s an excuse that gets used! They have a thing called "The Five Observables" of characteristics of UFOs like super speed and maneuverability, and the fifth one is "low observability."

C: What!?

E: (laughs)

MW: They actually use that as a "semi-official"—within this task force—criteria for judging whether something is a UFO. If it’s difficult to see, if it’s difficult to observe these other four observables, then it’s a UFO, which is a bit of a cheat, really, I think.

B: Yeah.

S: Oh, it’s totally a cheat.

C: Yeah. It’s a tautology. It’s like, this is why they’re unidentified, because they’re in that zone you were just talking about!

B: It’s lame!

E: Circular reasoning.

S: And to clarify, the thing is, UFO means Unidentified Flying Object. We know that—

B: —Yeah, by definition.

S: —But most people still use that as shorthand for "aliens."

MW: They do, yeah.

E: Oh, we see it all over.

C: And is that why you have been saying "UAP," Unidentified Aerial—

S: UAP—that’s the new Pentagon terminology.

C: —vehicle.

MW: Yeah. It comes from the UK, and it’s supposed to kind of legitimize things a little bit. It really is just—it will take on the same associations as UFO, eventually, because they’re talking about the same things.

B: For now, though, "UFO"’s got too much baggage. It’s good to switch to another initialism.

C: Right.

S: It doesn’t work, though. Like, they did that with cold fusion—

B: —For a little while.

S: —So it’s low energy nuclear reaction, LENR. It’s cold fusion. Shut up.

C&E: (laugh)

S: It’s the same. Like, UAPs—it’s UFO. It’s the same thing. We just—

B: —But I like it. I like using another term. I like that. For a little while it’s a little bit better because it doesn’t have the baggage yet of UFO.

S: (laughs)

C: It’s true because when we say UFO, people go, "Yeah, it’s an alien."

MW: Yeah.

S: Right. The big flying saucer.

C: Like I literally just—they think flying saucer. I just posted your story about this, Steve, on Twitter and it was kind of funny because it was like, "you know, the UFO thing—it’s a bunch of nothing." And of course all my skeptical followers are like, "you mean it’s not unidentified?" It’s like, no, it is. It is! It’s not aliens is what I mean.

B: It’s too tainted at this point.

MW: Yeah, the UFO people get kind of annoyed because they’re trying desperately to be legit. So they don’t like using the term UFO. And they don’t even like talking about aliens. Like if I ever bring up aliens, they’re all like, "Hey! Who mentioned aliens? What’s going on here? I didn’t say aliens. Did you say aliens?"

B: Oh yeah? Really?

MW: They’re trying to frame the discussion in a way that allows it to proceed without ridicule, which is fair enough.

S: Yeah, it’s like the Intelligent Designers—"We’re not talking about God. No one mentioned God." It’s just the Intelligent Designer.

MW: Exactly.

S: So it’s the same strategies across all these pseudosciences where they’re living in the unobservable ambiguous zone. They’re trying to shift terminology. They’re being coy, some of them, the ones that are trying to be respectful. Then you get the real nut jobs who are saying, "Yes, the information was beamed down to me by an alien." They’re just explicit about it, but those are the fringe. You have the people trying to go mainstream. They think that being coy, wink wink, nod nod, is going to get them there. But it’s the same stuff over and over again.

C: What’s the psychological motivation here? Is it to be on the inside? Is it to have that sort of wait, to say "Oh, I know something you don’t know"?

B: Oh, sure!

S: It’s all that.

C: Okay.

S: It’s so life isn’t dull and boring. That’s motivation enough.

MW: Yeah. I think people are just, essentially, UFO fans. I mean it sounds a bit simplistic, but they really like the idea of UFOs visiting, aliens visiting, essentially. People who are science fiction fans, like I was when I was a kid—and to a certain degree, they don’t grow out of their childhood fascination with science fiction. And it manifests in this desire for UFOs to actually be aliens.

B: And the weird other side of that coin is the fact that we know, using probability and statistics, we know that there’s life out there, somewhere in the universe, for sure, perhaps even in our own solar system—at the very least if it’s microbial-like. So we know that there’s life out there, somewhere. There’s too many stars and planets, but—

S: —Yeah, that’s not the question.

B: —But we know that there’s aliens out there, but we also know, no, there’s no evidence that they’ve visited the Earth. It’s just too far away.

S: So you’re not expecting any big revelations in June when the Pentagon gives its report to the Congress.

MW: No, not really. And I think it kind of depends who’s actually writing this report and how many people are working on it and how seriously they take it. It may just be some kind of list of things that have happened and various reporting protocols, like how does the Navy report unidentified objects. But I certainly don’t expect any big, big revelations about anything even like advanced technology. I think it’s just going to be more of the same. The interesting stuff is going to be classified. It’s probably not that interesting anyway, but we’re not going to hear about it, because it’s technology that we don’t let the public know about. And it will just be kind of a nothing burger, and the UFO community is going to be disappointed and probably start saying there’s a big cover up.

S: Sure. Yeah. It’s an endless cycle. All right, Mick, well thanks for joining us and straightening us all out on these videos. We appreciate it.

MW: Well, thank you very much. I enjoyed being here.

S: And thanks for all your good work. It’s important out there to have people who are getting their hands dirty, doing all the really technical, detailed work of analyzing videos like this. We report on it, but I don’t have hours and hours to spend or whatever it took to dive into it. We need the technical people to that for us, so thanks.

MW: You’re welcome. It’s a lot of fun, actually.

Science or Fiction (1:23:39)

Answer Item
Fiction Sensing systems
Science Star formation changes
Science
Ride sharing & assault
Host Result
Steve win
Rogue Guess
Cara
Ride sharing & assault
Bob
Ride sharing & assault
Evan
Sensing systems
Jay
Ride sharing & assault

Voiceover: It's time for Science or Fiction.

Item #1: Astronomers find that 36 nearby dwarf galaxies, separated by as much as 13 million light years, experienced a simultaneous significant decrease 6 billion years ago, followed by an increase 3 billion years ago in star formation. [7]
Item #2: A new review finds that the greatest risk from current self-driving cars is failure or errors of their sensing systems. [8]
Item #3: A new study finds that the introduction of ride sharing services into a U.S. city reduces sexual assault by 6.3%. [9]

S: Each week I come up with three science news items or facts, two real and one fake, and then I challenge my panel of skeptics to tell me which one is the fake. We have three regular news items this week. You guys ready?

C: Yep.

E: Mm-hmm.

S: All right. Here we go. Item #1: Astronomers find that 36 nearby dwarf galaxies, separated by as much as 13 million light years, experienced a simultaneous significant decrease 6 billion years ago, followed by an increase 3 billion years ago in star formation. Item #2: A new review finds that the greatest risk from current self-driving cars is failure or errors of their sensing systems. And item #3: A new study finds that the introduction of ride sharing services into a U.S. city reduces sexual assault by 6.3%.

Cara, you weren’t here last week so you go first.

C: Mean!


Cara’s Response

Bob's Response

Evan's Response

Jay's Response

Steve Explains Item #1

Steve Explains Item #2

Steve Explains Item #3

Skeptical Quote of the Week ()

A very good theory will be one that makes very wide-ranging claims about the world, and which is consequently highly falsifiable, and is one that resists falsification whenever it is put to the test.
Alan Chalmers, British-Australian philosopher of science

Signoff/Announcements ()

S: —and until next week, this is your Skeptics' Guide to the Universe.

S: Skeptics' Guide to the Universe is produced by SGU Productions, dedicated to promoting science and critical thinking. For more information, visit us at theskepticsguide.org. Send your questions to info@theskepticsguide.org. And, if you would like to support the show and all the work that we do, go to patreon.com/SkepticsGuide and consider becoming a patron and becoming part of the SGU community. Our listeners and supporters are what make SGU possible.

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Today I Learned

  • Fact/Description, possibly with an article reference[10]
  • Fact/Description
  • Fact/Description

Notes

References

Vocabulary


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